Raising the Dead: Readings of Death and (Black) Subjectivity (New Americanists)

[Sharon Patricia Holland] ✓ Raising the Dead: Readings of Death and (Black) Subjectivity (New Americanists) ↠ Download Online eBook or Kindle ePUB. Raising the Dead: Readings of Death and (Black) Subjectivity (New Americanists) In challenging established methods of literary investigation by putting often-disparate voices in dialogue with each other, Holland forges connections among African-American literature and culture, queer and feminist theory.Raising the Dead will be of interest to students and scholars of American culture, African-American literature, literary theory, gender studies, queer theory, and cultural studies.. For Holland, travelling through “the space of death” gives us, as cultural

Raising the Dead: Readings of Death and (Black) Subjectivity (New Americanists)

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Rating : 4.53 (718 Votes)
Asin : 0822324997
Format Type : paperback
Number of Pages : 248 Pages
Publish Date : 2013-01-24
Language : English

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Sharon Holland draws on a dazzling range of influences and interprets an impressive array of diverse cultural forms as she asks and answers crucial questions about ancestry, origins, and heritage in African American and Native American life and culture.”—George Lipsitz, University of California, San Diego. “Raising the Dead is a tour de force filled with provocative, original, and imaginative observations and insights

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In challenging established methods of literary investigation by putting often-disparate voices in dialogue with each other, Holland forges connections among African-American literature and culture, queer and feminist theory.Raising the Dead will be of interest to students and scholars of American culture, African-American literature, literary theory, gender studies, queer theory, and cultural studies.. For Holland, travelling through “the space of death” gives us, as cultural readers, a nuanced and appropriate metaphor for understanding what is at stake when bodies, discourses, and communities collide.Holland argues that the presence of blacks, Native Americans, women, queers, and other “minorities” in society is, like death, “almost unspeakable.” She gives voice to—or raises—the dead through her examination of works such as the movie Menace II Society, Toni Morrison’s novel Beloved, Leslie Marmon Silko’s

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