John Singer Sargent: Watercolors
| Author | : | |
| Rating | : | 4.51 (990 Votes) |
| Asin | : | 0878467912 |
| Format Type | : | paperback |
| Number of Pages | : | 252 Pages |
| Publish Date | : | 2016-07-20 |
| Language | : | English |
DESCRIPTION:
A must-have for students of Sargent This book on Sargent Watercolors is wonderful. Lots of nicely reproduced images that fill the page. The paintings are grouped by subject: Venice, Bedouins, gardens, mountains, quarries, etc. It has some photos of Sargent at work, and photos of his models. Even better: the book includes many close-ups of the paintings, so you can see how he painted them. You can see how Sargent layered the paint, how he used a. "Sargent's Fantastic Watercolors" according to Kenneth Hughes. This is the catalogue that accompanies the exhibition at the Brooklyn Museum from April to July 201Sargent's Fantastic Watercolors This is the catalogue that accompanies the exhibition at the Brooklyn Museum from April to July 2013, the Museum of Fine Arts in Boston from October 2013 to January 201Sargent's Fantastic Watercolors Kenneth Hughes This is the catalogue that accompanies the exhibition at the Brooklyn Museum from April to July 2013, the Museum of Fine Arts in Boston from October 2013 to January 2014, and the Museum of Fine Arts in Houston from March to May 2014. Both exhibition and catalogue are collaborative efforts of the Boston and Brooklyn museums and are curated and edited by Erica Hirschler and Teresa Carbone, their most senior cur. , and the Museum of Fine Arts in Houston from March to May 201Sargent's Fantastic Watercolors Kenneth Hughes This is the catalogue that accompanies the exhibition at the Brooklyn Museum from April to July 2013, the Museum of Fine Arts in Boston from October 2013 to January 2014, and the Museum of Fine Arts in Houston from March to May 2014. Both exhibition and catalogue are collaborative efforts of the Boston and Brooklyn museums and are curated and edited by Erica Hirschler and Teresa Carbone, their most senior cur. . Both exhibition and catalogue are collaborative efforts of the Boston and Brooklyn museums and are curated and edited by Erica Hirschler and Teresa Carbone, their most senior cur. , the Museum of Fine Arts in Boston from October 201Sargent's Fantastic Watercolors This is the catalogue that accompanies the exhibition at the Brooklyn Museum from April to July 2013, the Museum of Fine Arts in Boston from October 2013 to January 201Sargent's Fantastic Watercolors Kenneth Hughes This is the catalogue that accompanies the exhibition at the Brooklyn Museum from April to July 2013, the Museum of Fine Arts in Boston from October 2013 to January 2014, and the Museum of Fine Arts in Houston from March to May 2014. Both exhibition and catalogue are collaborative efforts of the Boston and Brooklyn museums and are curated and edited by Erica Hirschler and Teresa Carbone, their most senior cur. , and the Museum of Fine Arts in Houston from March to May 201Sargent's Fantastic Watercolors Kenneth Hughes This is the catalogue that accompanies the exhibition at the Brooklyn Museum from April to July 2013, the Museum of Fine Arts in Boston from October 2013 to January 2014, and the Museum of Fine Arts in Houston from March to May 2014. Both exhibition and catalogue are collaborative efforts of the Boston and Brooklyn museums and are curated and edited by Erica Hirschler and Teresa Carbone, their most senior cur. . Both exhibition and catalogue are collaborative efforts of the Boston and Brooklyn museums and are curated and edited by Erica Hirschler and Teresa Carbone, their most senior cur. to January 201Sargent's Fantastic Watercolors Kenneth Hughes This is the catalogue that accompanies the exhibition at the Brooklyn Museum from April to July 2013, the Museum of Fine Arts in Boston from October 2013 to January 2014, and the Museum of Fine Arts in Houston from March to May 2014. Both exhibition and catalogue are collaborative efforts of the Boston and Brooklyn museums and are curated and edited by Erica Hirschler and Teresa Carbone, their most senior cur. , and the Museum of Fine Arts in Houston from March to May 201Sargent's Fantastic Watercolors Kenneth Hughes This is the catalogue that accompanies the exhibition at the Brooklyn Museum from April to July 2013, the Museum of Fine Arts in Boston from October 2013 to January 2014, and the Museum of Fine Arts in Houston from March to May 2014. Both exhibition and catalogue are collaborative efforts of the Boston and Brooklyn museums and are curated and edited by Erica Hirschler and Teresa Carbone, their most senior cur. . Both exhibition and catalogue are collaborative efforts of the Boston and Brooklyn museums and are curated and edited by Erica Hirschler and Teresa Carbone, their most senior cur. H. Blissberg said The Place to Start for Sargent Lovers. Not surprisingly, a very smart, detailed tribute to Sargent, full of history, insight, and including a granular analysis of his tools and techniques.
(Judith Dobrzynski The New York Times) . Experimenting with unusual compositions and new techniques, he reinvented himself aesthetically far from stagnating Sargent was innovating in his watercolors
For Sargent, however, the watercolors were not so much about swagger as about a renewed and liberated approach to painting. His dynamic and boldly conceived watercolors, created during travels to Tuscan gardens, Alpine retreats, Venetian canals and Bedouin encampments, record unusual motifs that caught his incisive eye.. The contents of the first, in 1909, were purchased in their entirety by the Brooklyn Museum of Art. Sargent held only two major watercolor exhibitions in the United States during his lifetime. John Singer Sargent Watercolors reunites nearly 100 works from these collections for the first time, arranging them by themes and subjects: sunlight on stone, figures reclining on grass, patterns of light and shadow. Going beyond turn-of-the-century standards for carefully delineated and composed landscapes filled with transparent washes, his confidently bold, dense strokes and loosely defined forms startled critics and fellow practitioners alike. One reviewer of an exhibition in London proclaimed him “an eagle in a dove-cote&
. Richard Ormond is an independent art historian